Showing posts with label color theory. Show all posts
Showing posts with label color theory. Show all posts
August 20, 2017

Balayage (hair painting) : a Look I Love, But a Technique I Can Do Without

The More You Know the Less You FEAR

This post always generates a lot of hair stylists tearing me apart & putting me down..........so in answer to that, I have filled in some areas and re-written this so as to address the concerns they keep bringing up. Last I checked we still lived in the USA and there is room for everyone:

> professional hair stylists

> crib colorists 

> damn Boxed hair color

   Had 1 more sad story emailed to me about Balayage this week,  this is a topic I have been tap dancing around for the entire time the KS Blog has been in existence. I have been promising forever to address my opinion about the technique. So, while it is not at all what I was planning on writing today, sometimes adapting to my readers, is the smartest decision.

 I need to be clear on something.......its not the "look" of Balayage I don't like ...its the "application " people are trying. Of course there are some beautiful balayage heads of hair out there, and a lot of talented artists doing the "freehand technique'' - but that is not the norm. that I hear from . Many people end up here because of some hair disaster - so when you hear it as much as I do, you really wonder if this whole hair painting thing is worth the marketing ploy.

About 18-19 years ago {yep, that’s how old this technique is} I first got wind of BALAYAGE - ( which was not its name for about 5 years). I can still remember hearing about it, and thought, uh geez……one more “cowboy color” move, I never talked or thought about it again. Once a year – every year, some new “technique’ within the hair color world gets introduced and then proceeds to (almost) always fail. I'm not saying all 'new' hair coloring techniques will not be successful.....but you have to remember that unless a new chemical has been introduced, millions have people have been working on this issue for over 100 years......many brilliant artists and cosmetic chemists have been working and playing on new techniques and art forms.

 This dinghy Balayage is like gum on my shoe ......it just won't go AWAY ! ! !  Everything about it makes absolutely no sense, although for the interest in the comment section, that shows me that many of you sure are intrigued by it....

Having wondered ‘where’ these quirky little processes  come from, makes me question - - the reason behind them. Within a Colorists world there is always a “new” technique around the corner..the industry of hair coloring was an 8 billion dollar sector of the market in 2016. That's right up there with the pentagon (j/k).   That new technique is almost always just a new name for something we already do, which means it is merely the result of the hair world’s > “Marketing-machine”.  In other words . . . the theory is, if a new technique is announced it will get more people into Salons, which is brilliant - do not get me wrong on that one.                          
Yep, that’s how the world of Color rolls! Why do you think they show pure white snowy blonds ( see my previous post) one month and raven dark haired vixens the next. As long as “change” is happening in hair color, then its a good thing for the “business” of hair color and the world of hair. If everyone were to remain a level 8 B ….year after year after year, what a boring ho-hum world it would be, and how hum drum it would be for business. Just like everything else in today’s world, Hair Color is first and foremost  - -  a business - -  and it needs rejuvenation and spark to stay interesting and provocative, just like any other.

I was trained at …. Vidal Sassoon. A school that has strict rules and regulations for extremely valid reasons. I admire their ways & means of teaching and continue to follow them all to this day. This entire BLOG is littered with both: KC-isms & Sassoon-isms… so if you want to learn the same, I would read and absorb……..read and absorb. 

Now, when any Colorist is preparing to color a hair models hair, the first step always is the “consultation”. To me there is no more important step. The reason so many Stylists/Colorists make mistakes, is because they don’t take the time necessary to properly analyze this step and look at their clients hair back story. It is crucial to a successful outcome, to fully
  • analyze the hair’s characteristics,
  • learn the previous color processes performed
  • understand the “desired” look
Now, one of the biggest and most common mistakes one will see on blonds, is when the hair turns yellow/brass/orange/gold . I’ve tried many ways of explaining why that happens, we will try another one today. There is a misconception that ‘brass’ is a color and it can be removed, when nothing could be further from the truth. Its a bit of an ‘odd’ concept how the color Brass, or blorange, or Gold shows its ugly head in hair. But let me try  to explain how, where and why it comes from. I can’t tell you the amount of readers that have asked me if they could use the artificial hair color remover “VANISH” to remove the BRASS from their hair.’ 

Another KC-ism in Hair Color is
“ ALWAYS USE THE PROPER TOOL FOR THE JOB “
balayage.blonde.painting.2 

Using Vanish is the complete wrong tool, and it seems to be my issue in not teaching this concept properly….as to why some of you don’t understand why not....I would like to try to get this clarified in this post, if you don’t understand, PLEASE ask in the COMMENTS section below, so I can see what I am missing.

When you apply color to the hair you are adding color . Color + Color (=) makes more Color, so the hair has more pigment. If the color used is addition only, the hair will often (but not always) be darker.

 killercutscolors565
When finally comprehending color theory, it can benefit much more than hair color, it can add to the Interior or Exterior Design of your Home, the Clothing you put together and wear, it can even benefit the Frosting or Decorations you make on a cake. Color Theory affects many different aspects of ones life, and once it sinks in,you will find yourself having “aha” moments that deal with color theory revelations randomly.I receive emails from new Crib Colorists all the time with various stories of how color theory has popped  into their everyday life. Remember ANY education, is good for you. 

For a balanced natural hair color: all 3 primaries must be present
An imbalance (lack of any of 3 primaries) of primaries leads to an imbalance of end result
Therefore if you are blond, with brassy tones, the method one would use to “COUNTER” the brassy tones is what?
If the hair color is brassy, that means the primary that is the strongest is the YELLOW.
{Primary colors are Red, Blue & Yellow}
So, if the YELLOW is predominant and is what is causing the hair to be an obnoxious brassy color
Use the rule, that if the color is objectionable, then play with the primary colors to solve the problem.Take the 2 other primary colors…..???? RED & BLUE, mix them together which makes PURPLE ( right?)
Add a PURPLE TONER to that brassy Blond and it will knock that brass right out of the hair .
Once you begin to lighten hair….warmth is released. The first pigment to be released during lightening is BLUE. If you start with the blackest most coarse hair and begin to lighten it with bleach, you immediately see a change.
Because BLUE is the first pigment to leave the hair, you would go very quickly into the RED Zone, which is also the most difficult zone to leave. However if you use a microscope to observe the same black hair being lightened, you would see a different dominance of pigment at each step
So, if you were to observe the amount of natural pigment remaining in the hair at each level under a microscope, you would see a dominance of blue pigment at LEVEL 1 – BLACK, Which makes sense because black is really the BLUEST BROWN.
  • Level 2: very very dark brown, a dominance of blue/violet, which is still very dark but not black,prevails.
  • Level 3 : violet dominates
  • Level 4: violet/Red
  • Level 5: Red
  • Level 6: Red/Orange
  • Level 7: Orange
**LEVEL 7, btw is the most difficult stage or level to get past  -  all the trouble with brassy colors in hair stems from this
  • Level 8 : DURP Gold
  • Level 9: Yellow
  • Level 10: Very Pale Yellow10 degrees99
Now, that is an overview of where “brass” comes from and why it is so very difficult to get rid of. It is the most dominant color, it is the hardest color to counter, and the most impossible color to eliminate. There is no avoiding it, it is the most predominant color in everyone’s hair, no matter ‘what’ color the Virgin hair is.
Now to explain ‘why the Balyage technique makes no sense to “this Colorist” anyway!
The color hardest to get out of the hair………is Gold/Brass {Level 7 Brass/Gold is like Glue}
The way in which hair is lightened is by applying bleach to the hair. The bleach then “lifts” the  color OUT OF THE STRANDS….in an effort to lighten it into the desired blond shade of choice….. in other words its like  sucking the color out the strands of hair…..
(I want to put this in the most simplified terms possible)
Say the hair is BLACK………….and you DESIRE PLATINUM
The mixture of Bleach plus 40 VOLUME DEVELOPER  is applied to the black hair and the bleach begins to suck the color out of the hair…………..
The lightening train goes like this….color is drawn out of the hair strand in this method:
  • BLACK - ->>> GOES TO
  • DARKEST BROWN ----> > >TO
  • DARK  BROWN  - - -> > >  GOES TO
  • BROWN  - - -> > >  GOES TO
  • LIGHT BROWN - - - -  GOES TO
  • RED - - - > > >  GOES TO
  • RED-ORANGE---->>> WHICH goes TO - - - >>>
  • ORANGE- - - > > >  WHICH THEN GOES TO
  • GOLD  - - -  - which goes to
  • YELLOW - - - -> > > >
  • PALE YELLOW BLOND
  • PALE BLOND the desired colored when millions of women go looking for a Sun-Kissed Blond Look).
Bleach/ lightener doesn't keep its strength forever.........Really after 75 minutes ( or knowing how well your hair lifts ,which should always be calculated with a strand test prior to using this product) 
Now what happens to so very many blonds that have BRASS instead of BLOND….is the lightener ( of whichever type or kind has been used)has not been left on long enough, OR a strong enough developer was not used. Resulting in the hair lightening up but getting stuck at the “GOLD” Level…..see it up there? If the lightener would have stayed on longer or a stronger volume developer would have been used it would have been able to climb those remaining 2 levels to PALE YELLOW BLOND .

Now when this dippy Balayage method, paints the Lightener on the hair –  FreeHand as you see in this photo:  001 Ballyage001
Why would you paint the lightener on the hair free hand? I have no idea what that accomplishes?
I wonder if they think it looks more natural??  It won’t……I wonder if they think it’s faster ?? Most likely.. . . .
 Foils are difficult to learn - they had foiling BOOT camps at Sassoon because they not only wanted your foiling work to be 'pretty' looking - when the foils were on the head  ( which at first I thought was sooooooooo bizarre - who cares???) ..............then after I finally absorbed and understood the entire Sassoon world and education I finally GOT IT ! While the other people in the salon had screwy looking uneven and  horribly placed foils - yours would be perfect and orderly, it not only made your client feel special I cannot tell you how many clients switched to me to be their Colorist -- SIMPLY because of my foiling work. I OWE THAT ALL TO SASSOON ! ) Remember Foils keeping moisture in and on the strands. Moisture keeps the lightener active and working, the last thing you want is for it to dry out.........which is what will happen to it in the AIR .....during Balayage. Do you really think no one thought of this before?  That's the part that gets me. So 70 years ago when all of these techniques were first being formulated you don't think the first Colorists didn't think of painting the bleach on the hair FIRST????

OF COURSE THEY DID.

Because when you did that the client would repeatedly end up with brassy hair - then the hair needs to be "re-colored' and REPEATING lightening processes on top of each other is called OVER-LAPPING and check in my rules about how to achieve the most damage in lightening hair. OVER-LAPPING is at the top of the list. 

They figured out a long time ago if foils were used that the majority of people would have properly colored blonde hair. They did NOT make up the process just because they wanted to add a useless step to lightening hair. 

THAT JUST IS NOT HOW TOP COLORISTS ROLL !

I know this is a very controversial subject but I stick to my guns about how foiling is the proper method for achieving natural looking "off- scalp" streaks, wisps or ribbons or ropes or pieces or whatever you want to call little pieces of hair that are lightened lighter than the rest of the hair.
FOILS are hard to learn. Ask anyone who is an A List Colorist and if properly placed they can achieve the exact same look with less time and more control.



 Here is another photo of Balayage, which I would foil and would achieve this exact same look.

images

As a Colorist .......what you want when you color hair is “control”. 

Control and Timing so I know exactly what is going to happen and WHEN. If you are to paint lightener on the hair you are going to lose the body’s warmth that comes from using foils. Once the lightener is applied to the strand of hair then the foil is folded over that strand …. both the body and the foil create HEAT a very mild warmth which is actually just perfect -- it gently helps the lightening action along. if you don’t use foil, you lose that, which means you have a much greater risk of ending up in the BRASS RANGE. The dreaded BRASS – range......... its why we use foils. 
 Lightening hair without the use of foils is archaic and unnecessary. If anything, apply the foils with the lightener, as hair stylists you must learn how to check hair that has lightener on it, and KNOW WHAT STAGE IT IS, I mean it doesn’t take long…in about 2 months of practice you could be good at foils and should know what hair looks like when you scrape off the lightener from a clients foils….to be able to tell whether or not you should rinse a client now or in 20 minutes. Yes, its an  art, but dammit, get GOOD at that art….its why you went into this biz, don’t be a slacker.

I cannot even figure out what the purpose of Balayage is, to be perfectly frank.

 I need to be clear on something.......its not the "look" of Balayage I don't like ...its the "application form" people are trying. Of course there are some beautiful balayage heads of hair out there, and a lot of talented artists doing the "freehand technique'' - but that is not the norm. I hear from . Many people end up here because of some hair disaster - so when you hear it as much as I do, you really wonder if this whole hair painting thing is worth the marketing ploy.
With foils you can create just about any work of art you would like….. foils let Color 1 be on a certain portion of hair. . . . while allowing Colors 4-7 & 9 to NOT be other portions…. 

Using foils are the mark of a Great Colorist. Everything they claim Balayage can create we have been doing for years with foils. There is a certain strain of hairstylists that don’t use foils and the only reason I could possibly imagine for not using foils is laziness, they are untrained in the art, or...the clients hair lifts so quickly it may get damaged.  . Foils are used for the heat they retain – the art they allow to have and the mobility they impart when trying to display a rainbow of colors WITHOUT BRASS in the blond’s. 

I will have at least a half dozen people every week ask me what they can do to get the brass out…..or the ‘orange’ out…I ask how the Stylist colored their hair and the answer is ALWAYS BALAYAGE!!!!!! So, if you believe nothing else, believe that, or your own experience.
The only way to lighten hair with “control” over how light it does or does not get is with Bleach. So many are hesitant of the use of bleach, . As an experienced Colorist, bleach can be your best friend … there are just soooo many uses for it, but never ever use it without plenty of experience behind you. 

Balayage began in the country of France, which explains a lot (to me) . Balayage,  is a French term for hair painting. It is a freehand placement of highlights, without the use of foils, allows for a more natural color application that complements and contrasts in all the right places.THAT is what the textbooks say. I say, bring back the foils!

This is what Balyage looks like;

balayage.blonde.painting.2

Think before you request this technique and I never EVER would suggest or imply that anyone should try to do this technique at home, this is where the talented hair colorist comes in and they come in with a BANG doing this right! Ask that Stylist if they also do foils. 
Remember foils give the colorist more control and get the hair PAST that dreaded ‘brass’ stage.
Something.................anyone Loves !




February 3, 2016

Thursday & Friday Feb. 4 & 5 2016, We Are Giving Out FREE Laminated Level Charts With All Orders Placed !

Level Charts are something I hope          everyone has 

                             therefore

 we are giving out FREE LEVEL CHARTS              with all orders placed 
                    Thursday and Friday 
                             February 4th & 5th, 2016

            No code 

            No Nothing

   Just Make A Purchase & Receive                           a 
COMPLIMENTARY LEVEL CHART


January 11, 2015

Color Theory (Sounds Boring, I kno) 100% Necessary To Become Successful Crib Colorist

60% - 80% of You Come To Killerstrands In An Attempt At Fixing A Botched Hair Coloring Experience

Therefore I feel its necessary for me to teach you the tools to correct those disasters, otherwise, why be here? ! So as much as it sounds boring, Color Theory and understanding : the basics of it, is simply mandatory. It gives you the tools to be able to understand how to fix any mess on your own. What a wonderful tool for this new hobby of home hair coloring and becoming a Crib Colorist.

Primary colors are Blue, Red & Yellow and are the basic colors that make up every hair color out there (except, of course, silver/white) and that is in the order of their size of the molecule (or atomic weight - now, don't leave because I said 'atomic'....wait, hear me out)...Understanding the order and size of the primary colors shows you what happens during the lightening process when going from Level 1(black) to Level 12 (Platinum). So many of us go lighter, that is the way of the world for some reason.


When lightening, Blue is the only 'cool' primary color. Most people lean towards wanting more of a 'cool' tone to hair. I mean warm means Brass, Blorange, Gold, Reds. No one wants the first 3 that's for sure and the only way you want red, is if your goal is red hair! When Blue is added to any primary, secondary or tertiary color is is dominant. The new color will be cool....again....good. Its molecular weight (or pigment size) is the largest and BECAUSE of this, it is closest to the cuticle. Why is this bad? Because being the largest pigment means when you begin to lighten hair (even a little bit) it will be the color that is closest to the cuticle and that damn sure means it will leave FIRST! If it leaves first, there goes that 'cool' hue that we all need so much to give our hair that 'cool' tint we talked about earlier. When the hair is oxidized by the ammonia in hair color the hair expands almost immediately, the blue molecule escapes and poof no more 'cool'.


Next is Red, it is also difficult to remove and lastly the yellow which is buried deep down in the hair strand.....the most difficult of all to remove and why so many of you get stuck at Blorange (blorange is the mix of red & yellow: so you see why you get stuck there?) Gold & Brass. The yellow molecule is buried so damn deep, it pretty much always takes bleach to be powerful enough to get it out of that hair strand. See????????

When all 3 colors are in hair in equal proportions you achieve a completely NEUTRAL Blonde or Brown. You know how we all wonder why we can't have like hair like Jennifer Anniston? That is hair that has equal proportions of red, blue & yellow molecules in her hair, there are VERY FEW people that happen to be this lucky. How do I know? I colored over 15,000 heads of hair (yep, my assistants kept track). Do you know how rarely I would have someone in the chair that was a breeze to lighten?  Not even once a month. That is rare.

Secondary colors are made when you mix 2 primary colors. You mix red & Blue you make Violet. That is a secondary color. If you add the opposite of any secondary color to a hair color you are mixing you will neutralize it. For example:

If you have a bigger yellow molecule and brass has become your problem.............look across that color wheel . What color is opposite of yellow (brass) on the color wheel ? Violet...........right? ! Add Violet and you will help cancel out yellow as it is directly across from it on the color wheel. That is why you see so many violet colored shampoos including our own (BOOST & BURST - Violet Pilot). 

Now, I am hoping from that you will be able to understand and pick-out any color you need to neutralize an annoying one you have in your hair color. So brass is yellow, across from yellow is Violet.

Blorange which I refer to a lot, because it is indeed a very common problem. We have calculated that Blorange is both Yellow & Orange cast that would be in your hair ....what colors would you use to counteract Blorange? Blue & Violet (check out the wheel). 

Understanding these basic theories is mandatory if you want to take control over correcting your hair color or planning your hair color and having positive results.

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